5 Tips on Getting Bigger Sounding Drums in Your Mix

    Tips to get a Fuller Drum Sound in your Mix

    Drums are integral to any song; they make a hit have rhythm and a solid groove.

    Drums are not just the stationary metronome jammed at the back of the stage. Essentially, drummers conduct the song and control the entire vibe.

    When you find yourself dancing and swaying to a song, you follow a beat typically led by the drum track.

    Having a thin or weak individual drum sound can really take away from what could be a strong track. Don’t be afraid to beat up your drums in the mix and get a little crazy.

    Table Of Contents

     

    Here is How to Make Your Drum Sound Full

    1. Compression

    There are a few different ways that you can use compression in order to make your drum sound bigger and more full.

    But what exactly is compression?

    Compression is when you lessen the dynamic gap between the quietest and loudest signals of an audio signal.

    If you’re working with live drums, you can use compression to make the kit feel like it's all moving together and sounding bigger as a whole.

    Ultimately, there will not be a go-to preset that you can use to keep the exact sound and compression for each song. You should be using compression and all of your tools catered to the specific song.

    Controlling the level of attack and release on a compressor can also help you.

    You may have a specific drum that you want to have more punch, so you’d want to decrease the time on the attack for the compressor to engage quicker, therefore giving you that desired punchy sound.

    Lowering the threshold on your compressor can cause you to lose the body of your drums, so be sure to play around with it until you HEAR what sounds good. Don't be afraid to play around with the sound.

    Playing it safe is all well and fine, but think about all the different sounds you'll never discover if you never mess around!

    A nice compressor for drums would be the CLA 2A or 3A.

    -back to top

    Drum Compressor for Audio Sound Engineers | Music Production

     2. EQ

    When diving into the EQ, you should consider what you want your drums to sound like.

    You can get really intricate with EQ’ing drums, and it often depends on the genre that you’re mixing.

    As a rule of thumb, you should try to roll off as much of the low-end frequency ranges, minus the kick drum (and maybe the toms, depending) of course.

    Drums do have some tone to them, as well. You can spike up the frequency spectrum and roll it left to right to find the key of your drum and tune it from there on out. If you want your drums to have a more sparkly & bright tone, try boosting around the 10k range.

    The Low-mid range can be essential in keeping your drums sound big as well, so make sure you don’t cut too much from that range. Get more tips on how to mix on the low end.

    tips to become a music producer

    3. Picking the Right Sample

    When programming drums, picking the right sample can have a major impact on how the final sound of your drums can turn out.

    Picking samples with “big” transients will help you get the punch you’re looking for. You can see these transients when you pull the sample into your DAW.

    According to Dubspot, transients are best described as "a short burst of sound that contains a higher frequency spectrum than the harmonic content of that sound."

    In addition, many websites will show the waveform so you can get an idea of how it looks.

    The goal is to practice training your ear to hear the difference between punch mode and something more rounded rather than just looking for transient shaping, but visualizing does always help.

    Once you pick the right sample, some of the work is already done for you.

    Important Tip: Many samples are already compressed when you download the drum recording, so sometimes you will find that compressing them won't do much for you.

    -back to top

    4. Distortion

    Using distortion can really make drums sound crunchy but in the best way. Remember earlier when we said to get a little crazy? This is what we meant.

    You’ll find that not only can distortion help make your drums cut through the mix, but you can create a whole new type of sound with it.

    You can find some cool distortion plugins for around $100-$200. A good go-to is one named “Decapitator,” made by SoundToys.

    Drum Distortion Plugin | Decapitator

    There really isn’t a lot to know about using this specific plugin.

    Once you open it up and start twisting the knobs, you will immediately be able to hear the difference in the dynamic range of your drums. 

    With a distortion plugin, you can change the following:

    • Tone
    • Brightness
    • Saturation
    • Dry/Wet of Mix

    Distortion may be more fun than necessary, but either way, it will help your finished drum sound bigger and more full.

    -back to top

    5. Panning 

    A good tip is when you are beginning to plan how you want to pan your drums, consider how the entire drum kit is set up.

    Your hi-hats are on the left, cymbals (such as the ride) are on the right, the kick is in the middle, and the list goes on.

    This doesn’t necessarily mean you have to hardpan each of these drums one way or the other, but just give them enough room to breathe.

    Also, panning your drums will make them sound bigger because it will make it sound like the space is being filled. Imagine it as filling the room (or your headphones).

    We strongly advise that you keep the Kick and Snare drum in the middle. When you pan one thing to the left, it is a good idea to pan something else to the right!

    -back to top

    Get Experimenting!

    Mixing Drum to Get Bigger Sound

    There is no "one way" to make your drums sound big.

    Remember always to get a balanced drum sound for the song you're working on. But also remember, there isn't a right. Play around with these common techniques and find what you want your finished drum sound to be. 

    Presets are a common choice for a starting point but won’t always work for any type of sound you’re working on.

    Don’t be afraid to try new things, even when just mixing your drums. Be creative, have fun with it, and enjoy using these powerful tools to make your drums sound huge.

    Are you interested in learning how to craft the perfect drum sound?

    One of the best top-rated ways to learn how to mix is by attending an Accredited Music College like the Atlanta Institute of Music and Media.

    In addition to industry-leading instructors, exclusive studios, and excellent equipment, AIMM offers a Certificate in Music Production and a Music Production and Audio for Media Degree. AIMM's Music Production degree is an excellent opportunity for producers and engineers to utilize top-notch tech and software in exclusive studios.

    Plus, you'll learn the best insider tips, tricks, and techniques your favorite engineers are using.

    But wait, are you more interested in drums than mixing? That is cool, too!

    AIMM has a Music and Technology Associate Degree with a focus in Drums.

    Click the link below for more information on AIMM today!

    Music Production School

    Related Articles:

    Dr. David Mitchell

    Dr. David Mitchell

    Dr. David Mitchell is an educator and published composer who writes for large and small ensembles, interactive electronics and electroacoustic music for performance as well as original scores for films, video games, promotional ads and corporate videos. His commercial work includes music for Hilton Hotels and The Coca Cola Company. His works have been performed throughout the United States and Europe. In addition, Dr. Mitchell has won numerous competitions, including the Olin Parker Composition Competition, Southeastern Composers League Phillip Slate Composition Competition and The Contemporary Chamber Ensemble Composition Competition. Dr. Mitchell holds a Doctorate of Musical Arts (DMA) in Music Composition and Theory, Master of Music Composition and a Bachelor Degree in Guitar Performance. He is an instructor and the Director of Education at The Atlanta Institute of Music and Media.